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RÉSUMÉ

Work Experience:

Source Sound, Inc., Los Angeles -

Sound Designer / Senior Sound Editor
MAY 2023 - PRESENT
  • Primary duties include: responsibility for the sound design and sound effects editorial of theatrical trailer finishing, as well as editorial supervision and coordination.

  • Secondary duties include: employee training, developing company documentation and automating company procedures. 

Selected Projects: (Trailers): Dune: Part 2, Furiosa, The Watchers, Joy Ride, Barbie, The Nun 2, The Ministry of Ungentlemanly Warfare.

Senior Sound Editor / Assistant Sound Designer
NOV 2021 - MAY 2023
  • Primary duties included: all aspects of theatrical trailer editorial finishing, additionally  including light sound design/effects editorial.

  • Secondary duties included: training junior employees and developing company documentation, supplemental game cinematic sound design.

Selected Projects: (Trailers): Dune, The Batman, The Matrix Resurrections, The Fallout, Elvis, (Game Cinematics): Marvel’s Midnight Suns, Dead Space (2023), (Experiential): A Life in Pieces: The Diary and Letters of Stanley Hayami

Sound Editor
JUL 2019 -  NOV 2021
  • Primary duties included: dialogue, music and light effects editorial, including a particular emphasis on conform work.

  • Secondary duties included: designing and automating custom workflow and organizational tools.

Selected Projects: (Trailers): Bohemian Rhapsody, Godzilla: King of the Monsters, Detective Pikachu, Ford v Ferrari, Joker. (Game Trailers): Call of Duty Black Ops: Cold War

Assistant Sound Editor
FEB 2017 - JUL 2019
  • Primary duties included: ingesting, evaluating and replacing client audio assets with the appropriate, highest quality materials available for short films, theatrical trailers, AAA game trailers, podcasts, commercials and XR experiences. 

Selected Projects: (Trailers): Dunkirk, Atomic Blonde, Blade Runner 2049, Deadpool 2, IT. (Game Cinematics): Call of Duty: World War II

Ritual Media, Los Angeles -

Freelance Sound Editor
NOV 2019 - MAR 2021
  • Responsible for audio editorial, including assembling, noise-reducing, editing, mixing and generating deliverables of guided audio practices.

Skills:

Automation Tools/Workflow Projects (Soundflow-Based):

  • Marker based auto-conformer - A Pro Tools marker based, simple auto-conformer.

  • Polyphonic Elastic Audio Toolkit - Series of scripts to simplify Elastic Audio editorial.

  • Video Utility Switcher - Makes swapping between multiple videos within Pro Tools easier.

  • ADR/Foley Spotting Toolkit - A customizable “Stenographer keyboard” for spotting.

  • UCS Renaming Toolkit - Made for Soundminer’s Radium, but customizable for exporting any audio.

Post-Production:

  • Sound Design

  • Sound Effects Editorial

  • Music Editorial

  • Dialogue Editorial

  • Labor Coordination

Software:

  • Pro Tools Ultimate: Extremely Proficient.

  • iZotope RX 10 Advanced: Extremely Proficient.

  • Soundflow: Extremely Proficient.

  • Soundminer v6 Pro: Extremely Proficient.

  • Matchbox: Proficient.

  • Microsoft Office: Proficient.

Education:

  • Summa Cum Laude

  • LMU Arrupe Scholar

  • Recipient of Outstanding Recording Arts Student Award (2017).

  • University Honors Program / School of Film and Television Dean's List. (September 2013-May 2017)

  • Employed as an Audio Engineer & Teaching Assistant.

Loyola Marymount University, Los Angeles - B.A., Recording Arts Technology, Minor in Computer Science, GPA 3.94/4.0
SEPT 2013 - MAY 2017

References available upon request.

Based in Los Angeles, California 

Copyright 2024, Respective Holders

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